Welcome to Photoreject, born out of my first attempts to enter my work in a gallery many years ago. If you read the title and are concerned if you are supposed to be here, fill out the brief, 200-page survey on page 72. Otherwise, please take a look around my blog posts of recent images of photography "tests" I am conducting as I branch out into slightly new photographic horizons. I will be explaining my thought processes behind the photographs and rambling on about this or that. Hope you enjoy!
Your use of low light is pretty refined here. Generally I like the exposure, but I think the face could be brought up a little in the darkroom to balance the hands. This is a good example of how minimal lighting can be a compositional tool for rendering shape and depth. Why is the illumination on the subject's face warmer in tone than the hands, though? That does bother me a little. -jeff
1 comment:
Your use of low light is pretty refined here. Generally I like the exposure, but I think the face could be brought up a little in the darkroom to balance the hands.
This is a good example of how minimal lighting can be a compositional tool for rendering shape and depth.
Why is the illumination on the subject's face warmer in tone than the hands, though? That does bother me a little.
-jeff
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